EARTH POEMS AND OIL SPILLS *
It’s when I’m weary of considerations,/ And life is too much like a pathless wood…/ I’d like to get away from earth a while/ And then come back to it and begin over…/…Earth’s the right place for love:/ I don’t know where it’s likely to go better. — Robert Frost, Birches
1. IF: COUNTERPOINTS
If you marvelled at the dance of the Northern Lights
Counterpointing the smouldering plumes of ashen smoke
Billowing out of an Eyjafjallajokull cradled by melting glacier,
Or quietly scanned the opal horizons of Banda Aceh swathed
In a glorious sunset chiaroscuro before the waves claimed
Atolls and infants back into the rip tide roar of that tsunami;
If you were ambushed by an unforgiving temblor that rocked
Haiti out of its romping in reggae regaled beaches turned
Into common graveyards of carrion crushed under rubble;
If you have walked through cherry-blossom-strewn streets
And smiled at strangers’ hallooing: How about this spring?
Before rampaging twister funnels crushed hearths and homes;
If you have strolled and danced ragtime beat on Orleans’
Roadhouses rocking rampant with rap and razzmatazz
Before Katrina’s wrath wreaked hell’s hurricane havoc;
If you still marvel at forest flowers as God’s fingers
And espy sandpipers bolt through thicket cramping marsh
Before infernal flames crackle through Santa Barbara’s hills;
If you have stolen kisses and felt purloined embraces
In the limpid ripples of Cancun’s caressingly undulant seas
Before the onset of the curdling spill on the playa negra;
If you braved the stygian stink of Ilog Pasig and sang songs
While harvesting floating tulips, debris, or stray crayfish
For some foregone repast before it turned into River Styx;
If you have lived through these and now blow fanfare
For Earth’s being the right place for love or maybe care,
You might yet begin to accept that Mother’s lullabies were
Also her gnashing of teeth when you wailed through nights
When slumber would have allowed her love not tantrums
Of infants grown now and “quartered in the hands of war”:
2. WRATH OF DAYS
How else explain the wrath of days descending
not into quietness but pain? Has she not kept her anger
in check for all the tantrums of the Ages: Thermopylae,
Masada, Ilium, Pompeii? Hiroshima, Auschwitz, Nagasaki?
Stalin’s pogroms? The death chambers and Holocaust trains?
Polpot’s killing fields in Kampuchea? Rwanda’s genocide?
Before it lured tourist trekkers, the verboten Walls of China?
The Berlin Wall? The Gaza Wall? Fences of n.i.m.b.y.
neighbours: India and Pakistan, Iran and Iraq, splintered
Korea, the Irelands shorn of the emerald isles, the fractured
United Kingdom where the sun has finally set on its Empire,
the still haemorrhaging American southern states crippled
and still unyoked from black history but seething now
from the African-American’s irascible entitlement —
With Zimbabwe’s apartheid, Congo’s rapes, Ethiopia’s
hunger, Sudan’s ceaseless putsch tango, Somalia’s piracy
trade, tribal wars in Uganda, Namibia, Botswana, Kenya,
will blacks overcome someday, soon? Only if they, too,
would get munitions from Venezuela’s bottomless vaults
gurgling with black gold, aceite y petroleo, and Oil of Ages.
Lubricator of the war and killing machines, in Oil we Trust.
3. THE SPILL AND FALL
Has it gone any better? Love on this piece of terra infirma?
That’s when Mother shushed you back to sleep,
An impatient rhythm clipping away what should have been
A gently lulling melody from the Song of Ages:
Rock-a-bye, baby on the treetop; when the wind blows,
The cradle will rock. When the bough breaks, the cradle
Will fall; and down will come baby, cradle, and all.
The bough breaks, and you scream. Too late for that.
This is not a dream. The freefall is Mother’s little slip
When she could no longer hold you still, somnolence
Finally taking over, and your cri d’couer, a scream,
For help, for caress, for all the love gone from an empty room.
The cradle falls, she can’t pick it up. Exhausted and utterly
Spent, she mutters in her sleep: Spare the rod, spoil the child.
Tomorrow, if it comes, Mother will prop up — backaches
Assault her waking days now — will step into her plimsoll
As she would her dancing pumps, oil-soaked slippers.
She will slip and fall before anyone else wakes up.
She will yell: “Damn it, who spilled oil on the floor this time?”
— ALBERT B. CASUGA
Mississauga, June 1, 2010
The oil spills in New Mexico and Louisiana compound the ecological problems that our planet seems to be reacting to rather disturbingly. The poems “Earth Poems and Oil Spills” decry the abandon with which humans have exploited the earth’s resources. The central image of “Mother Earth” slipping and falling from the oil spill (see last line in poem 3) achieves the poem’s objective correlative of how she has suffered the human tantrums of war, man’s inhumanity to man, his profligate ways, hence, the counterpoints in the first poem. Oil spills pale beside the “inconvenient truth” of our knowing only so well that oil lubricates wars, war machines that culminate in killing fields. All the more pity for those birds clipped from flight with sticky, toxic oil. Sad.
ALBERT B. CASUGA, a Philippines-born writer, lives in Mississauga, Ontario, Canada, where he continues to write poetry, fiction, and criticism after his retirement from teaching and serving as an elected member of his region’s school board. He was nominated to the Mississauga Arts Council Literary Awards in 2007. A graduate of the Royal and Pontifical University of St. Thomas (now University of Santo Tomas, Manila. Literature and English, magna cum laude), he taught English and Literature (Criticism, Theory, and Creative Writing ) at the Philippines’ De La Salle University and San Beda College (Benedictines). He has authored books of poetry, short stories, literary theory and criticism. He has won awards for his works in Canada, the U.S.A., and the Philippines. His latest work, A Theory of Echoes and Other Poems was published February 2009 by the University of Santo Tomas Publishing House. He was a Fellow at Asia’s longest running writer’s workshop, at the 1972 Silliman University Writers Workshop, Philippines. His latest fiction and poetry have also been published in Asia Writes, an online literary journal for Asian writers living elsewhere in the world. As a journalist, he worked with the United Press International and wrote an art column for the defunct Philippines Herald. He publishes a literary blog at http://ambitsgambit.blogspot.com and http://albertbcasuga.blogspot.com